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He is also unable to identify himself deeply with his fellow men, and feels excluded from deep and intense social experiences. . 14 A. H. Dodd, 'North Wales in the Essex Revolt of 1601', E.H.R. On the other hand, there is the underlying sensitive and sympathetic intuitive mode of the Anthem, which expresses itself in the Threnos by countermining Reason's pretentious dogmatism. This interpretation, however, would be flatly contradicted by their actual death and the sense of loss conveyed by the poem. . Figurative Language The Phoenix goes into death as into a new nest, the Dove rests for ever, and they have not perpetuated themselves on earthnot because they could not have done so, but because they were too completely chaste to wish it: What is the point of this line? Religious symbolism is not wanting. Physical intercourse is excluded in Shakespeare's lyric only by the assertion that "twas not infirmity' that prevented the lovers from leaving 'posterity'. Poetry can be appreciated only by those who are willing to submit to the imaginative experience which the poet offers. The tragedy, according to Reason, is not just their death, but their childless death. Marston also takes care to paper over the cracks glaring in the edifice of Shakespeare's contribution: these are that the pair of birds vanish 'leaving no posterity'. . Then we are told to expect praise and later a dirge. This relation, as J. V. Cunningham has demonstrated, is "modelled" on the relations of the three Persons of the Trinity as expounded by the scholastics.6 The focus on the metaphysics of the Antheme has, however, tended to keep critical attention away from the connection between the Antheme and the Threnos. Dana Ramel Barnes. This break with the disjunctive stress-pattern also occurs occasionally in the earlier portion of the poem, of course, but, to my ear, only in its fourth stanza does the stress-pattern in the threne follow the normative accent-pattern in all three lines. With his 'sublime' abstractions, Reason stifles what his lament strives to hail, exhibit, and exalt. Nature fears the fires of this kingdom are too 'dull and base' to renew the Phoenix. Corruption quakes to touch such excellence, Through these concepts, Shakespeare seeks to transcend common experience, to pass into a realm 'All breathing human passion far above', but he nowhere suggests an allegory of religious mysteries or even of divine love. . There is no problem in this line as it stands in the poem (though it is of course possible that the physical childlessness stands allegorically for some other unrealized expectation), but the next two lines are highly ambiguous. But she is taken to Paphos in Phaethon's chariot, while Nature regales her with a long account of the cities of Britain and the deeds of King Arthur. His honour and the greatness of his name Othello's egotism, which grounds his love, which grounds indeed all human love, is the ineradicable cause of love's death. It is nave to assume, as most commentators on these poems have assumed, that an occasional poem must comment on its occasion. But in Shakespeare's poem, through this very paradox, the bird symbolism becomes the fitting expression of the tension created by a certain type of 'Platonic' love. 178-9). We entered this world of birds and found them symbolic; ornithological naturalism was irrelevant. Are they or are they not both dead? That due to thee, which thou deseru'st alone. That cause sets up with and against itself; Something else, however, is going on at the same time; something else is advancing: the construction of a world of personifications. Phoenix Burne both together, what should there arise,