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In conclusion, chapter ten of Braiding Sweetgrass offers a deep and insightful look at the spiritual and medicinal properties of the witch hazel plant, and how it can be used to heal and nourish the body, mind, and spirit. Using a framework of Native feminisms, she locates this revival within a broad context of decolonizing praxis and considers how this renaissance of women's coming-of-age ceremonies confounds ethnographic depictions of Native women; challenges anthropological theories about menstruation, gender, and coming-of-age; and addresses gender inequality and gender violence within Native communities. Braiding Sweetgrass Flashcards | Quizlet She also highlights the ways in which we can offer to the earth, including through our actions and our attention. She reminds us that offering is not just about giving gifts, but about participating in the web of life and honoring our connections to the earth. Kimmerer then describes the materials necessary to make a fire in the traditional way: a board and shaft of cedar, a bow made of striped maple, its bowstring fiber from the dogbane plant, and tinder made of cattail fluff, cedar bark, and birch bark. She hopes that the act of caring that is inherent to motherhood can extend to a sense of mothering the entire world, not just ones own children. In Braiding Sweetgrass, Kimmerer's elegant stories are bundled into six sections: planting sweetgrass, tending sweetgrass, picking sweetgrass, braiding sweetgrass, and burning sweetgrass. Restoration offers concrete means by which humans can once again enter into positive, creative relationship with the more-than-human world, meeting responsibilities that are simultaneously material and spiritual. After walking far and wide, Nanabozho came across a village in complete disarray. We begin our lives, she says, walking the Way of the Daughter. How to improve Indigenous maternal health outcomes? Bring midwifery This is really why I made my daughters learn to garden so they would always have a mother to love them, long after I am gone. Robin Wall Kimmerer You'll also get updates on new titles we publish and the ability to save highlights and notes. We can continue along our current path of reckless consumption, which has led to our fractured relationship to the land and the loss of countless non-human beings, or we can make a radical change. How does Kimmerer use plants to illustrate her ideas in Braiding Sweetgrass? The first prophet said that these strangers would come in a spirit of brotherhood, while the second said that they would come to steal their landno one was sure which face the strangers would show. Because the relationship between self and the world is reciprocal, it is not a question of first getting enlightened or saved and then acting. The author reflects on the importance of listening to the voices of the land and the plants, and how this helps to cultivate a sense of connection and interconnectedness.